A teenage girl puts up a courageous fight following a crushing school bus accident that leaves her physically and mentally handicapped.

To pay for his terminally ill wife’s expensive medical bills, former gang member Ah Nan decides to risk everything on a potentially lucrative drug deal, but the situation turns out to be far more dangerous than he imagined.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Libor, a former teacher, enjoys a well-paid position as a bank manager, living in a luxurious villa outside Prague. His business partners are taken into custody and the authorities have a few questions for him to answer. Rather than wait around, he decides to take off to Moravia with his wife and two children. In the process, he pretends that everything is normal, rediscovers the value of family life, meets up with a former colleague lost in provincial obscurity, and becomes the object of a manhunt. Libor is not a criminal type, merely someone who signs cheques and is drawn into a business world failing to recognise its own criminality (he doesn’t even flee the country).

On a day in the summer of 1912, the family of retired matinee idol James Tyrone grapples with the morphine addiction of Tyrone's wife Mary, the illness of their youngest son Edmund, and the alcoholism and debauchery of the older son Jamie. As day turns into night, guilt, anger, despair, and regret threaten to destroy the family.

Eugene O'Neill's semi-autobiographical masterpiece pulls back the curtain on the Connecticut home of the Tyrone family, where deep-seated resentments and bourbon-fueled tirades cause a family to expose their darkest natures. Starring Alfred Molina as James Tyrone and Jane Kaczmarek as Mary Cavan Tyrone, this powerful production depicts a single day that begins as any other, only to become a night from which they will never recover.

Wang Subak, the eldest daughter of the Wang family, had married into a wealthy family. But after her husband Ko Minjung goes bankrupt, she and her family have to move back into her parents' home. Second daughter Hobak is also having financial difficulties with her jobless husband Heo Sedal, while third daughter Gwangbak suddenly decides to quit her stable job as a teacher to pursue her dream of becoming a writer. Navigating the pressures of their circumstances will test every member of the family as they struggle to find happiness and love.

Lisa and Patrik have patched up their marriage after Patrik's infidelity, but everything turns upside down when they receive a letter from the district court about their divorce papers, which Lisa had forgotten she had filed.

上一季结尾提到的#世界酷洛米化计划#不知道是否还有人记得呢？神秘的计划究竟是什么？酷洛米大人又有何打算？就让我们跟随着她的脚步一起，穿梭在多元宇宙里寻找最终的答案吧！

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